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VOCAL MUSIC

SONGS WITH PIANO

Collections

SONG ALBUM.  Medium-high voice and piano.  Boosey & Hawkes, 1995 (repr. from separate originals).  Contents:  The Cloths of Heaven; Down by the Salley Gardens; A Dream; Eight O’Clock; Greeting; Infant Joy; June Twilight; The Seal Man; Shy One.

SONGS WITH PIANO.  Voice and piano.  Oxford University Press, 2001.  Contents:  The Aspidistra (new ed.); Binnorie: A Ballad; The Cherry-Blossom Wand (repr.); Come, Oh Come, My Life’s Delight; Cradle Song (repr.); The Donkey; God Made a Tree; Lethe; A Psalm of David, When He Was in the Wilderness of Judah; Tiger, Tiger; Weep You No More, Sad Fountains.

EARLY SONGS WITH PIANO. Voice and piano. Edited by Christopher Johnson and Nicholas Phan. ClarNan Editions (in prep.). Contents: Wandrers Nachtlied; Shiv, who poured the harvest; Oh Welt; Ah for the red spring rose; Stimme im Dunkeln; Aufblick; Klage; Chanson; Oh, Dreaming World; The Moving Finger Writes; Du; Durch die Nacht; Nach einem Regen; Vergissmeinnicht; Manche Nacht; Magna est veritas; Das Ideal; Up-hill; One That Is Ever Kind; The Color of Life; Return of Spring; Tears.

Individual songs

AH, FOR THE RED SPRING ROSE.  1904.  Words by Calderón (El Alcalde de Zalamea, 1636), translated by Edward Fitzgerald (1903). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

THE ASPIDISTRA.  1929.   Words by Claude Flight.  Publication: (1) J. & W. Chester, 1930; (2) New edition in Songs with Piano, Oxford University Press, 2001. Collected in A Century of English Song, Vol. 5: Soprano, Thames Publishing, 1993.

AUFBLICK.  1904.  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

BINNORIE: A BALLAD.  Undated; probably 1941.  Words adapted from a traditional Scottish ballad.  Publication:  Songs with Piano, Oxford University Press, 2001.

CHANSON.  1904 (?).  Words by Maurice Maeterlinck (« J’ai cherché trente ans, mes soeurs », La Plume, March 15, 1893). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

THE CHERRY-BLOSSOM WAND.  1927.  Words by Anna Wickham.  Publication: Oxford University Press, 1929; repr. in Songs with Piano, Oxford University Press, 2001. Collected in A Century of English Song, Vol. 1: Soprano, Thames Publishing, 1977.

THE CLOTHS OF HEAVEN.  1912 (?).  Words by W. B. Yeats.  Publication: Withrop Rogers, 1920; repr. in Song Album, Boosey & Hawkes, 1995.

THE COLOR [sic] OF LIFE.  1909 (?).  “Old Chinese words” (MS), by Ssü-K’ung T’u (from A Lute of Jade, trans. L. Cranmer-Byng, 1909). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

COME, OH COME, MY LIFE’S DELIGHT.  1923.  Words by Thomas Campion.  Publication: Songs with Piano, Oxford University Press, 2001.  (See also Choral version, 1926.)

CRADLE SONG.  1929.  Words by William Blake.  Publication: Oxford University Press, 1929; repr. in Songs with Piano, Oxford University Press, 2001.

THE DONKEY.  1942.  Words by G.K. Chesterton.  Publication: Songs with Piano, Oxford University Press, 2001.

DOWN BY THE SALLEY GARDENS.  1919.  Words by W.B. Yeats.  Publication: Winthrop Rogers, 1924; repr. in Song Album, Boosey & Hawkes, 1995.  (Later version in SONGS WITH VIOLIN, below.)

A DREAM.  1926.  Words by W.B. Yeats.  Publication: Winthrop Rogers, 1928; repr. in Song Album, Boosey & Hawkes, 1995.

DU.  1905 (?).  Words by Richard von Schaukal (Tage und Träume: Gedichte, 1899). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

DURCH DIE NACHT.  1906.  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

EIGHT O’CLOCK.  1927.  Words by A.E. Housman.  Publication: Winthrop Rogers, 1928; repr. in Song Album, Boosey & Hawkes, 1995.

GOD MADE A TREE.  1954.  Words by Katharine Kendall.  Publication:  Songs with Piano, Oxford University Press, 2001.

GREETING.  1927.  Words by Ella Young.  Publication: Winthrop Rogers, 1928; repr. in Song Album, Boosey & Hawkes, 1995.

DAS IDEAL.  1907 (?).  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

INFANT JOY.  1913 (?).  Words by William Blake.  Publication:  Winthrop Rogers, 1924; repr. in The Boosey & Hawkes Song Collection, Volume 2, 1901-2004, ed. Eileen Field, Boosey & Hawkes, 2005.  Collected in Weihnachtslieder von Komponistinnen, Bd. 3, Furore, 2010.

JUNE TWILIGHT.  1925.  Words by John Masefield.  Publication: Winthrop Rogers, 1926; repr. in Song Album, Boosey & Hawkes, 1995.

KLAGE.  1904 (?).  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

LETHE.  1941.  Words by Edna St. Vincent Millay.  Publication: Songs with Piano, Oxford University Press, 2001.

MAGNA EST VERITAS.  1907.  Words by Coventry Patmore (The Unknown Eros, 1890). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

MANCHE NACHT.  1907.  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

THE MOVING FINGER WRITES.  1905 (?).  Words by Edward Fitzgerald (Rubáiyát of Omar Khayyám, 1859). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

NACH EINEM REGEN.  1906 (?).  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

OH, DREAMING WORLD.  1905.  Words by Katharine Coolidge (Voices, 1899). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

OH [sic] WELT.  1904 (?).  Words by Emil Heinrich Du Bois-Reymond (“O Welt, du gibst mir Schauer und Wonnen”).  Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

ONE THAT IS EVER KIND.  1911 (?).  Words by W.B. Yeats (“The Folly of Being Comforted,” In the Seven Woods, 1904). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

A PSALM OF DAVID, WHEN HE WAS IN THE WILDERNESS OF JUDAH.  1920.  Words:  Psalm 63, Authorized Version (1611).  Publication: Songs with Piano, Oxford University Press, 2001.

RETURN OF SPRING. 1910 (?). “Old Chinese words” (MS), by Ssü-K’ung T’u (from A Lute of Jade, trans. L. Cranmer-Byng, 1909). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

THE SEAL MAN.  1922. Words by John Masefield (A Mainsail Haul, 1905, rev. 1913).  Publication: Winthrop Rogers, 1926; repr. in Song Album, Boosey & Hawkes, 1995.

SHIV, WHO POURED THE HARVEST.  1904.  Words by Rudyard Kipling (“Shiv and the Grasshopper,” The Jungle Book, 1894). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

SHY ONE.  1912 (?).  Words by W.B. Yeats.  Publication: Winthrop Rogers, 1920; repr. in Song Album, Boosey & Hawkes, 1995.

STIMME IM DUNKELN.  1904 (?).  Words by Richard Dehmel (Weib und Welt, 1896). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

TEARS.  1910. “Chinese words” (MS), by Wang Seng-Ju (from A Lute of Jade, trans. L. Cranmer-Byng, 1909). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

TIGER, TIGER.  1929 (rev. 1931).  Words by William Blake.  Publication: Songs with Piano, Oxford University Press, 2001.  (MS “attempt at simplification,” c. 1976; unpublished.)

UP-HILL.  Undated.  Words by Christina Rossetti (1861). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

VERGISSMEINNICHT.  1907 Words by Richard Dehmel. Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

WANDRERS NACHTLIED.  1903 (?).  Words by Goethe (“Wandrers Nachtlied: Ein Gleiches,” 1780). Publication: in Early Songs with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

WEEP YOU NO MORE, SAD FOUNTAINS.  1912 (?).  Words from John Dowland, Third Book of Airs (1603).  Publication: Songs with Piano, Oxford University Press, 2001.  (See also Choral version, 1926.)

SONGS WITH VIOLIN

Collection

SONGS WITH VIOLIN.  Voice and violin.  Oxford University Press, 2001.  Contents:  Down by the Salley Gardens (arr. 1955); Three Irish Country Songs (new ed.)

Individual songs and song-sets

DOWN BY THE SALLEY GARDENS.  1955.  Words by W.B. Yeats.  Publication: Songs with Violin, Oxford University Press, 2001.  (Original version in SONGS WITH PIANO, above.)

THREE IRISH COUNTRY SONGS.  1926.  Words from Herbert Hughes, Irish Country Songs, Vol. 1 (1909).  Contents:  I know my love; I know where I’m goin’; As I was goin’ to Ballynure.  Publication:  Oxford University Press, 1928; new ed. in Songs with Violin, Oxford University Press, 2001.

THREE OLD ENGLISH SONGS.  1924.  Contents:  It was a lover and his lass; Phillis on the new made hay; The tailor and his mouse.  Publication: Winthrop Rogers, 1925; repr. Boosey & Hawkes, 1994.

SONGS WITH CHAMBER ENSEMBLE

DAYBREAK.  1940.  Voice and string quartet.  Words by John Donne.  Publication: Prairie Dawg Press, 2012; available from Imagine Music Publishing.

VOR DER TÜRE SCHLÄFT DER BAUM.  1905 (?).  Voice, violin, and piano. Words by Detlev von Liliencron (Liliencrons Gedichte: Auswahl für die Jugend, 1901). Publication: ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

VOCAL DUETS WITH PIANO

Collections

DUETS FOR HIGH VOICES, WITH PIANO.  Edited by Christopher Johnson and Nicholas Phan. ClarNan Editions (in prep.). Contents: Spirits; Away, Delights; Nacht für Nacht.

DUETS FOR TENOR AND BARITONE, WITH PIANO.  Edited by Christopher Johnson and Nicholas Phan. ClarNan Editions (in prep.). Contents: Hymn to Pan; Sleep; Take, O Take Those Lips Away.

Individual duets

AWAY, DELIGHTS.  1912-13 (?).  High and medium voices, piano.  Words by John Fletcher (The Captain, 1612, pub. 1647). Publication: in Duets for High Voices, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

HYMN TO PAN.  1912-13 (?).  Tenor, baritone, piano.  Words by John Fletcher (The Faithful Shepherdess, c. 1609). Publication: (1) in Joys Abiding: An Annotated Anthology, ed. Chuck Dillard, Dana Zenobi, and Oliver Worthington (Classical Vocal Reprints, 2022); (2) Publication: in Duets for Tenor and Baritone, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

NACHT FÜR NACHT.  1907.  Soprano, contralto, piano.  Words by Richard Dehmel (Weib und Welt: Gedichte und Märchen, 1901). Publication: (1) in Joys Abiding: An Annotated Anthology, ed. Chuck Dillard, Dana Zenobi, and Oliver Worthington (Classical Vocal Reprints, 2022); (2) in Duets for High Voices, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

SLEEP.  1926.  Tenor, baritone, piano.  Words by John Fletcher (The Woman-Hater, 1606, pub. 1607). Two holograph fair copies (here and here) in the Britten Pears Archive, The Red House, Aldeburgh, UK. Publication: (1) in Joys Abiding: An Annotated Anthology, ed. Chuck Dillard, Dana Zenobi, and Oliver Worthington (Classical Vocal Reprints, 2022); (2) Publication: in Duets for High Voices, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

SPIRITS.  1909 (?).  Two high voices, piano.  Words by Robert Bridges (Shorter Poems, 1890). Publication: in Duets for High Voices, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

TAKE, O TAKE THOSE LIPS AWAY.  Undated.  Tenor, baritone, piano.  Words by Shakespeare (Measure for Measure, c. 1603, pub. 1623). Manuscript in the Britten Pears Archive, The Red House, Aldeburgh, UK. Publication: in Duets for High Voices, with Piano, ed. Christopher Johnson and Nicholas Phan (ClarNan Editions, in prep.).

CHORAL MUSIC

Mixed Chorus

COME, OH COME, MY LIFE’S DELIGHT.  1926.  Publication: Oxford University Press, 2003.  (See also Vocal original, 1923.)

DANCE, MY HEART. 1925. SSATBB. Words adapted from Songs of Kabir XXXII, trans. Rabindranath Tagore, 1915. Sketch.

HE THAT DWELLETH IN THE SECRET PLACE OF THE MOST HIGH.  1921.  SSAATTB, tenor solo, choral solos SAAB.  Words: Psalm 91, in the English Revised Version, 1885, alt.  Publication: Oxford University Press, 2003.

A LOVER’S DIRGE.  1908 (?).  SATB.  Words by William Shakespeare (Twelfth Night II.iv).  Publication: Oxford University Press, 2003; available from Banks Music Publications.

MUSIC, WHEN SOFT VOICES DIE.  1907 (?).  SATB.  Words by Percy Bysshe Shelley (“To ───,” 1821).  Publication: Oxford University Press, 2003; available from Banks Music Publications.

MY SPIRIT LIKE A CHARMED BARK DOTH FLOAT.  1911-12 (?).  SATB.  Words by Percy Bysshe Shelley (“Fragment: To One Singing,” 1817). Publication: Oxford University Press, 2003.

PHILOMELA.  1914 (?).  Words by Sir Philip Sidney (The Defense of Poesy, 1595).  Publication: Oxford University Press, 2003; available from Banks Music Publications.

PSALM 93 (“Jehovah reigneth”). 1920. Fragment.

WEEP YOU NO MORE, SAD FOUNTAINS.  1926.  SATB.  Words from John Dowland, Third Book of Airs (1603). Publication: Oxford University Press, 2003. (See also original Vocal version, c. 1912.)

WHEN CATS RUN HOME AND LIGHT IS COME.  1909 (?).  SATB.  Words by Alfred, Lord Tennyson (“Song—The Owl,” 1830).  Publication: Oxford University Press, 2003.

Upper Voices

AVE MARIA.  1937.  SSA.  Words:  Traditional Catholic prayer, in a variant also set by Josquin, Palestrina, and Victoria.  Publication: Oxford University Press, 1998. Collected in Sacred Music by Women Composers, Vol. 2: Upper Voices Anthems (Multitude of Voyces, 2020).

CHORUS FROM SHELLEY’S “HELLAS.”  1943 (?).  SSSAA.  Words by Percy Bysshe Shelley (Hellas: A Lyrical Drama, 1822). Publication: Oxford University Press, 2003; available from Banks Music Publications.

Lower Voices

NOW FIE ON LOVE.  1906 (?).  TTBB.  Words:  “Against Love,” from The Mysteries of Love and Eloquence, 1658).  Publication: Oxford University Press, 2003; available from Banks Music Publications.

THERE IS NO ROSE OF SUCH VIRTUE.  1928 (?).  ATBarB, baritone solo.  Arrangment of a fifteenth-century English carol with anonymous Words.  Publication: Oxford University Press, 2003; available from Banks Music Publications.

INSTRUMENTAL MUSIC

VIOLIN ALONE

JIG / MARCH. 1940-41 (?). Publication: in Three Pieces for Violin or Violins, Sleepy Puppy Press (in prep.)

LAMENT. 1940-41 (?). Publication: in Three Pieces for Violin or Violins, Sleepy Puppy Press (in prep.)

TWO VIOLINS

UNTITLED MOVEMENT (“For 2 Violins”) IN F MINOR.  1940-41 (?). Publication: in Three Pieces for Violin or Violins, Sleepy Puppy Press (in prep.)

ONE OR TWO VIOLINS, WITH OR WITHOUT PIANO

THREE PIECES FOR VIOLIN OR VIOLINS, WITH OR WITHOUT ACCOMPANIMENT. Contents: Jig/March and Lament (violin alone); Untitled Movement in F Minor (two violins). Publication: Sleepy Puppy Press (in prep.)

VIOLIN AND PIANO

Collection

SHORTER PIECES FOR VIOLIN AND PIANO.  Oxford University Press, 2005.  Contents: Chinese Puzzle (new ed.); Lullaby (1918); Midsummer Moon (new ed.)

Individual compositions

CHINESE PUZZLE.  1921.  Publication: (1) Oxford University Press, 1925; (2) New edition in Shorter Pieces for Violin and Piano, Oxford University Press, 2005. Autograph: CA OTUFM 02-4-1-Mus-0001, Kathleen Parlow fonds, University of Toronto Music Library, Toronto, Ontario, Canada, https://discoverarchives.library.utoronto.ca/index.php/chinese-puzzle. (See also arrangements for VIOLA AND PIANO and for MIXED ENSEMBLE, below.)

LULLABY.  1918 (?).  Publication:  in Shorter Pieces for Violin and Piano, Oxford University Press, 2005. Collected in Violin Lullabies, ed. Rachel Barton Pine, Carl Fischer, 2018.

MIDSUMMER MOON.  1924.  Publication: (1) Oxford University Press, 1926; (2) New edition in Shorter Pieces for Violin and Piano, Oxford University Press, 2005.

SONATA IN D MAJOR.  1908-09.  Publication:  Sleepy Puppy Press, 2023. Movement 2 collected in Violin Music by Women: A Graded Anthology, Vol. 4, Advanced, comp. and ed. Cora Cooper, Prairie Dawg Press, 2012; available from Sleepy Puppy Press.

SONATA IN G MAJOR (first movement only).  1908-09. Publication:  Sleepy Puppy Press, 2023.

TWO VIOLINS AND PIANO

THREE MOVEMENTS FOR TWO VIOLINS AND PIANO: Prelude; Danse bizarre; Nocturne.  1909-10.  Publication:  Prairie Dawg Press, 2012; available from Imagine Music Publishing.

FINALE to the above (8-page fragment).  1910 (?).

VIOLA ALONE

POMPOSO. Album-leaf, portraying violist Toby Appel. 1976. Publication: in David M. Bynog, Notes for Violists: A Guide to the Repertoire, Oxford University Press, 2020.

VIOLA AND PIANO

Collections

SHORTER PIECES FOR VIOLA AND PIANO.  Oxford University Press, 2002.  Contents:  Chinese Puzzle; I’ll Bid My Heart Be Still; Lullaby (1909); Lullaby (1913); Passacaglia on an Old English Tune (new ed.); Untitled movement in E minor.

ARRANGEMENTS AND A CADENZA. Edited by Christopher Johnson and Caroline Castleton. Sleepy Puppy Press (in prep.). Contents: Grainger, The Sussex Mummers’ Christmas Carol; Marchant, Irish Melody; Parry, Sarabande; cadenza to Handel/Casedesus Concerto in B Minor.

Individual compositions

CHINESE PUZZLE.  1921; this arrangement 1922.  Publication: in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.  (See also original version for VIOLIN AND PIANO, above, and arrangement for MIXED ENSEMBLE, below.)

I’LL BID MY HEART BE STILL.  1944.  Publication: in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.  (See also arrangement for CELLO AND PIANO, below.)

LULLABY.  1909 (?).  Publication: in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.

LULLABY (AN ARRANGEMENT OF AN ANCIENT IRISH TUNE).  1913 (?).  Publication: in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.

MORPHEUS.  1917-18.  Publication: Oxford University Press, 2001.

PASSACAGLIA ON AN OLD ENGLISH TUNE.  1941.  Publication: (1) G. Schirmer, 1943, repr. 1999; (2) New edition in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.  (See also alternate version for CELLO AND PIANO, below.) Collected in Solos for Young Violists, Vol. 5, ed. Barbara Barber (Alfred, 2005).

SONATA.  1919.  Autograph in the Library of Congress, Washington, D.C. (viewable online here). Publication: J. & W. Chester, 1921.  (See also alternate version for CELLO AND PIANO, below.)

UNTITLED MOVEMENT IN E MINOR.  1917-18.  Publication: in Shorter Pieces for Viola and Piano, Oxford University Press, 2002.

Arrangements/Transcriptions

Grainger, THE SUSSEX MUMMERS’ CHRISTMAS CAROL (British Folk-Music Settings, No. 2), adapted from Grainger’s version for cello (or violin) and piano (Schott, 1916). Publication: in Arrangements and a Cadenza, ed. by Christopher Johnson and Caroline Castleton (Sleepy Puppy Press, in prep.).

Marchant, IRISH MELODY (Emer’s Farewell to Cucullain), adapted from Marchant’s arrangement for violin and piano, published as Old Irish Melody (London: Joseph Williams, 1920). Publication: in Arrangements and a Cadenza, ed. by Christopher Johnson and Caroline Castleton (Sleepy Puppy Press, in prep.).

Parry, SARABANDE, from Partita in D Minor, for violin and piano (London: William Czerny, 1886). Publication: in Arrangements and a Cadenza, ed. by Christopher Johnson and Caroline Castleton (Sleepy Puppy Press, in prep.).

Cadenza

CADENZA FOR HANDEL/CASADESUS, CONCERTO IN B MINOR. Publication: in Arrangements and a Cadenza, ed. by Christopher Johnson and Caroline Castleton (Sleepy Puppy Press, in prep.).

CELLO AND PIANO

Collection

SHORTER PIECES FOR CELLO AND PIANO.  Oxford University Press, 2003.  Contents: Epilogue; I’ll Bid My Heart Be Still; Passacaglia on an Old English Tune (new ed.)

Individual compositions

EPILOGUE.  1921 (?), but possibly as late as 1932.  Publication: in Shorter Pieces for Cello and Piano, Oxford University Press, 2003.

I’LL BID MY HEART BE STILL.  1944.  Publication: in Shorter Pieces for Cello and Piano, Oxford University Press, 2003.  (See also original version for VIOLA AND PIANO, above.)

PASSACAGLIA ON AN OLD ENGLISH TUNE.  1941.  Publication: (1) G. Schirmer, 1943, repr. 1999; (2) New edition in Shorter Pieces for Cello and Piano, Oxford University Press, 2003.  (See also original version for VIOLA AND PIANO, above.)

RHAPSODY.  1923. Publication: Nimbus Music Publishing, 2020. Manuscript in the Library of Congress, Washington, DC. The manuscript cello part, marked up by Clarke and May Mukle for the work’s premiere, is viewable online, here.)

SONATA.  1919 (this version 1921).  Publication: J. & W. Chester, 1921; repr. LudwigMasters Publications, 2011.  (See also original version for VIOLA AND PIANO, above.)

STRING DUOS

IRISH MELODY (“Emer’s Farewell to Cucullain”). 1917(?)-18. Viola and cello. Publication: Gems Music Publications, 2020. Autograph in the Rare Book Collection, Royal Academy of Music Library, London.

TWO PIECES FOR VIOLA (OR VIOLIN) AND ‘CELLO: 1. Lullaby; 2. Grotesque.  1918 (violin arrangements 1927-28).  Publication: (1) Oxford University Press, 1930; (2) New edition, Oxford University Press, 2002. Autographs in the Rare Book Collection, Royal Academy of Music Library, London.

See also TWO VIOLINS, above.

TRIOS WITH PIANO

DUMKA.  1941.  Violin, viola, piano.  Publication: Oxford University Press, 2004.

TRIO.  1921.  Violin, cello, piano.  Publication: Winthrop Rogers, 1928; repr. Boosey & Hawkes, 1994.  Movement 3 collected in New Historical Anthology of Music by Women, Indiana University Press, 2004.

STRING QUARTET

Collection

TWO MOVEMENTS FOR STRING QUARTET.  Oxford University Press, 2004; reprinted with corrections, 2020.  Contents: Comodo e amabile; Adagio (“Poem”).

Individual compositions

ADAGIO (“Poem”).  1926.  Publication:  in Two Movements for String Quartet, Oxford University Press, 2004.

COMBINED CAROLS (“GET ‘EM ALL OVER AT ONCE”).  1942.  Publication: Prairie Dawg Press, 2012; available from Imagine Music Publishing.  (See also alternate version for STRING ORCHESTRA, below.)

COMODO E AMABILE.  1924.  Publication: in Two Movements for String Quartet, Oxford University Press, 2004.

MIXED ENSEMBLE

CHINESE PUZZLE.  Arranged for flute, violin, viola, cello, piano.  Undated.  Publication: Sleepy Puppy Press (in prep.). (See also original version for VIOLIN AND PIANO and arrangement for VIOLA AND PIANO, above.)

PRELUDE, ALLEGRO, AND PASTORALE.  1941.  Clarinet and viola.  Publication: Oxford University Press, 2000.

PIANO

Collection

COMPLETE MUSIC FOR PIANO. Edited by Simon Callaghan.  Nimbus Music Publishing, 2022.  Contents: Theme and Variations; Cortège; He Hath Filled the Hungry.

Individual compositions

CORTÈGE.  1932, rev. version 1978. Publication: in Complete Music for Piano, Nimbus Music Publishing, 2022.

HE HATH FILLED THE HUNGRY.  Undated (c. 1945?).  Transcription of “Esurientes” from J.S. Bach’s Magnificat in D. Publication: in Complete Music for Piano, Nimbus Music Publishing, 2022.

THEME AND VARIATIONS.  1908. Publication: in Complete Music for Piano, Nimbus Music Publishing, 2022.

TWO-PART INVENTION IN C MINOR. Undated counterpoint-exercise with instructions in another hand.

UNTITLED MOVEMENT IN E MINOR (fragment). 1940-41 (?)

STRING ORCHESTRA

WITH OPTIONAL STRING BASS

COMBINED CAROLS (or, “GET ‘EM ALL OVER AT ONCE”). 1942. Publication: Prairie Dawg Press, 2012; available from Imagine Music Publishing. (See also original version for STRING QUARTET in Instrumental section.)