New, forthcoming, noteworthy, or just plain fun stuff, with links to the nice folks who create it.
“[Bynog] knows the music inside-out and is the ideal guide….Will be invaluable to program-note writers and casual music lovers, while the scope of the music provides an insight into the world of the viola.”—Laurence Vittes, Strings Magazine (May 17, 2021)
“A must for all who love the viola!”—James F. Dunham, Rice University, Shepherd School of Music
“A must-have for every viola student and teacher.” —Carol Rodland, The Juilliard School
Bynog’s crackerjack chapter on Clarke’s Sonata, based on a meticulous survey of all the known primary sources, includes the first publication of Pomposo, an albumblatt Clarke composed in her ninetieth year. Available in cloth, paper, Apple Books, or Kindle.
“The three songs by Rebecca Clarke impress with their dramatic intensity and heartfelt interpretation.”—Sven Godenrath, Ihr Opernratgeber (May 22, 2021)
“[The] readings are transparent, dynamic, vehement and, most importantly, made with great dramatic force.”—Marçal Borotau, Sonograma (April 29, 2021)
A riveting program by mezzo Bettina Smith and pianist Jan Willem Nelleke features Clarke’s Infant Joy, June Twilight, and Eight O’Clock—with Sprechstimme, no less! Details here. Order here, here, or here.
“Clarke’s ‘The Seal Man’ invigorates the post-Ravel style into something distinctive and truly atmospheric, well matched here by James Gilchrist’s engaged and dramatically expressive account”—Daniel Jaffé, BBC Music Magazine (April 14, 2021)
“A disc of infinite delights which I cannot recommend highly enough.”—David Truslove, Opera Today
A survey of English solo song by a knockout roster of singers and one of the world’s great collaborative pianists, all alumni of King’s College, Cambridge. Order here, here or here. See our new Gallery feature on The Seal Man here, and our guest-posting on the King’s College website here.
This new release by the Gemini chamber ensemble features one of the best-ever performances of Clarke’s Prelude, Allegro, and Pastorale, by Ian Mitchell and Yuko Inoue.
“A most attractively balanced and paced recording. [Mitchell and Inoue] get the deft folkloric drift and project it with just the right weight of significance…. [In the Pastorale, they] strike an almost perfect balance.”—Jonathan Woolf, MusicWeb International (March 31, 2021)
“Rigorous and exuberant, [the Allegro] reminds us of the magnificence of Clarke’s music….A fine recording and presentation that is both beautiful and comprehensive.”—Colin Clarke, Classical Explorer (March 13, 2021)
“Lyrical beauty, burning brio and an awesome degree of ensemble spirit, especially clear in fast tempos….A splendid package in all.”—Geoff Brown, Classical Music (a service of BBC Music Magazine, December 23, 2020)
This thrilling disc, from the Paris-based independent label Skarbo, crept in under the radar, at least in Anglophone markets, and we hasten to give you the essential links—here, here, and here—with the hearty recommendation that you snap it up at once and ask questions later. Clarke’s Two Movements for String Quartet were never more riveting, and as for the Adagio, which you can download here?—absolument passionant! Here’s our considered impression, along with some vital background information.
BOOKING NOW FOR 2021-22
Following up on their wonderful new recording (see the previous entry), Quatuor Sine Qua Non plans on barnstorming Clarke’s Two Movements for String Quartet through what we hope will be the music-world’s first post-COVID season, as a major component of their characteristically attractive and wildly imaginative programming. The season brochure is here. Inquiries are welcome, by e-mail, via the quartet’s website or Facebook page, or by coup de téléphone at +336 20 90 87 36, where the person in charge assures us «qu’elle parle basiquement anglais!»—while we, with our accent barbare d’Alabama, can testify that her French is immaculate.
NOW AVAILABLE WORLDWIDE
“Beautifully recorded…. Ruman and Hučková’s playing is engaging and casts a fascinating spell. I’ll be returning to it many times.”—Stephen Greenbank, MusicWeb International
This lovely all-Clarke recital is now available outside the E.U. through Europadisc. Consider yourselves lucky: we had to get our Polish friend’s sister-in-law in Krakow to order it from Pavlik Records in Slovakia, so she could give it to her husband the next time he flew to New York, so he could give it to his sister in Greenpoint, so she could hand-deliver it to us in Brooklyn. Trust us: it was worth all the trouble that now you won’t have to go to.
“Open harmonies laden with parallel fourths and thick luscious doublestops in both parts…. Arrives at a time in which performers can console audiences remotely, evoke nostalgia, and mitigate a yearning to connect with loved ones in person again…. A cathartic outlet sorely needed in these challenging times.”—Gregory K. Williams, Journal of the American Viola Society (Fall 2020)
The first publication of Clarke’s long-lost, recently-discovered third duet for viola (or violin) and cello—a heart-melting setting of the tune best known as “Londonderry Air.” For a preview of the piece’s fascinating history and back-story click here. Order here.
The Associated Board of the Royal Schools of Music features five works by Clarke in its 2020-2023 grade exams. For viola: I’ll Bid My Heart Be Still (grade 5); Lullaby (grade 6); and Morpheus (grade 8). For cello: I’ll Bid My Heart Be Still (grade 7); and Passacaglia on an Old English Tune (grade 8).
REBECCA CLARKE GEAR
Arty Margit’s take on the famous portrait by Louis Langfier (c. 1923), reproduced in a host of useful and amusing merchandise. For prints of the graphic, click here. For framed prints, clothing, accessories, totes and carry-alls, cases and skins for your devices, stationery, housewares, mugs, regalia, and (God help us) COVID-worthy face-masks, click here.
Graphic: Copyright © Margit van der Zwan. Reproduced by permission.
POÈTE, PRENDS TA TASSE!
Try your favorite warm beverage in this snazzy mug from Alto Clef Gifts, emblazoned with the opening salvo of Clarke’s Viola Sonata. Comes in two sizes: 11 ounces and 15 ounces.
Clarke was an avid tea-drinker. Her brew of choice was Jacksons of Piccadilly in the big blue tin, an ambrosial concoction of which only a dim simulacrum survives today. We recommend these instead.